TY - CHAP
T1 - The Thistle and the Dragon
T2 - Scottish-Chinese Literary Encounters
AU - Li, Li
AU - Corbett, John
N1 - Publisher Copyright:
© Koninklijke Brill BV, Leiden, 2025.
PY - 2025
Y1 - 2025
N2 - This chapter offers an introductory overview of the contents of the edited collection, Scotland and China: Literary Encounters. It explains the rationale for the selection of chapters and identifies recurring themes that arise in the volume as a whole. The volume falls into two parts. The first six chapters address images of China in the literature of Scotland, from James Legge’s translations of sacred texts and ancient Chinese poetry to a contemporary poetry workshop at the University of St Andrews, where participants from China and Scotland collaborated in translating classical Chinese poetry into Scots. Key figures in this section are James Legge, Sir Reginald Johnston, Eric Linklater, neo-Victorian novelists such as George MacDonald Fraser, and the poets and translators, Douglas Young, David Purves, Edwin Morgan, Robert Crawford, and Brian Holton. The latter chapters address the translation and reception of Scottish literature in China, and cover the writings of Robert Burns, Sir Walter Scott, John Galt, Robert Louis Stevenson, Sir Arthur Conan Doyle, Hugh MacDiarmid, Lewis Grassic Gibbon, Nan Shepherd, John McGrath, Gregory Burke, David Greig, David Harrower, and Claire McFall. The chapters demonstrate the ways in which the cultures of the other are perceived as mirrors of that of the self; and they explore issues such as the translation of literary varieties of language, and how marketing strategies also reposition texts from the source culture in the literary system of the receiving culture.
AB - This chapter offers an introductory overview of the contents of the edited collection, Scotland and China: Literary Encounters. It explains the rationale for the selection of chapters and identifies recurring themes that arise in the volume as a whole. The volume falls into two parts. The first six chapters address images of China in the literature of Scotland, from James Legge’s translations of sacred texts and ancient Chinese poetry to a contemporary poetry workshop at the University of St Andrews, where participants from China and Scotland collaborated in translating classical Chinese poetry into Scots. Key figures in this section are James Legge, Sir Reginald Johnston, Eric Linklater, neo-Victorian novelists such as George MacDonald Fraser, and the poets and translators, Douglas Young, David Purves, Edwin Morgan, Robert Crawford, and Brian Holton. The latter chapters address the translation and reception of Scottish literature in China, and cover the writings of Robert Burns, Sir Walter Scott, John Galt, Robert Louis Stevenson, Sir Arthur Conan Doyle, Hugh MacDiarmid, Lewis Grassic Gibbon, Nan Shepherd, John McGrath, Gregory Burke, David Greig, David Harrower, and Claire McFall. The chapters demonstrate the ways in which the cultures of the other are perceived as mirrors of that of the self; and they explore issues such as the translation of literary varieties of language, and how marketing strategies also reposition texts from the source culture in the literary system of the receiving culture.
KW - China
KW - Scotland
KW - literary representation
KW - literary translation
KW - reception
UR - https://www.scopus.com/pages/publications/86000179704
U2 - 10.1163/9789004723832_002
DO - 10.1163/9789004723832_002
M3 - Chapter
AN - SCOPUS:86000179704
T3 - SCROLL: Scottish Cultural Review of Language and Literature
SP - 3
EP - 21
BT - SCROLL
PB - Brill Academic Publishers
ER -