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Translanguaging as a Communicative Method in Film-Audience Relationship—Case Study of the Film Wu Ming
Lili Han
Faculty of Applied Sciences
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Arts and Humanities
Audio-visual
25%
Blade
25%
Contextual
25%
Contextual Effect
25%
Dichotomy
25%
Doubt
25%
Embodied experience
25%
Esthetics
25%
Film Audiences
100%
film-making
25%
Idioms
100%
Japanese Occupation
25%
Linguistics
25%
Literal Meaning
25%
Meaning-Making
25%
Ming
100%
Names
25%
Narration
25%
Orchestration
25%
Protagonist
50%
Repertoire
50%
Shanghai
25%
Suspense
25%
Translanguaging
100%